T E X T I L E C ATA LO G U E VO L . 1, 202 5
Collection: MEDHA, GYAAN CENTER Jaisalmer, India © CITTA India Archiving, Documentation & Design: Muskan Gill Mahima Malik cittaindia.org 1
MEDHA, a visionary initiative by the CITTA Foundation India, proudly presents its inaugural catalogue, Volume 1, dedicated to the textile heritage of Jaisalmer. This first volume illuminates significance on traditional embroideries and textiles. Museum is a cornerstone of the CITTA Foundation’s broader “Gyaan Center” in Jaisalmer, a multi-faceted endeavor established in the region. This ambitious project, initiated in 2018 by Michael Daube, founder of the CITTA organization, stems from a profound vision: to educate young girls and empower women within the region where gender disparities have historically been prevalent. Beyond academic education, the Gyaan Center, which encompasses the MEDHA Museum, also fosters opportunities for women through a cooperative and marketplace, providing a platform for traditional crafts. Michael’s vision extends to addressing low female literacy rates, child marriage, and gender imbalance by offering comprehensive support, including education, facilities, and meals. The MEDHA Museum, as a part of this larger mission, serves as a vital space for the preservation, documentation, and celebration of the vibrant textile artistry that is deeply interwoven with the cultural fabric of Jaisalmer.
TO P B O DICE
YEAR OF ACQUITION: 2022 SIZE: 36* 52 cm This dark blue ‘Kanchli’ (bodice) covered with ‘Mukke-ka-kaam’ embroidery, a metal wire couching embroidery technique. The design focuses on strong symmetrical geometric shapes, including large squares, triangles and intricate circular motifs. Many small, sparkling ‘tik’ (mirror work) pieces are set throughout the embroidery, adding a shimmer. Bright rani-pink pom-poms, known as ‘Phundak’, are placed over the patterns, adding texture. This Kanchli is typically worn by Sindhi Muslim married women. 1
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